1 00:00:00,000 --> 00:00:04,620 Let every character sound like themselves. Use profiles and dialogue 2 00:00:04,620 --> 00:00:08,600 views to explore who is speaking, and why. The “Characters” 3 00:00:08,600 --> 00:00:11,640 tab in the sidebar shows all speaking parts with the 4 00:00:11,640 --> 00:00:16,260 number of their appearances. Federio Dramatize recognises a character by 5 00:00:16,260 --> 00:00:20,900 its character paragraph; extensions such as (O.S.) for “off screen” 6 00:00:20,900 --> 00:00:25,100 or (V.O.) for “voice-over” are credited to the same character. 7 00:00:25,100 --> 00:00:28,740 With “Add Character” you create a character that has no 8 00:00:28,740 --> 00:00:32,100 dialogue yet, say for planning. A click on a character 9 00:00:32,100 --> 00:00:37,600 opens their profile: full name, age, occupation, description of looks 10 00:00:37,600 --> 00:00:42,580 and nature, motivation (what they want), conflict (what stands in 11 00:00:42,580 --> 00:00:48,000 their way), backstory, character arc (how they change) and tags. 12 00:00:48,000 --> 00:00:51,180 The profile is your notebook on the character. It is 13 00:00:51,180 --> 00:00:54,080 saved with the project but appears neither in the screenplay 14 00:00:54,080 --> 00:00:58,420 text nor in the export. When “Sara” becomes “Lena” in 15 00:00:58,420 --> 00:01:03,380 the third draft, choose Screenplay, then Rename Character in Screenplay. 16 00:01:03,380 --> 00:01:06,580 You enter the old and the new name, and Federio 17 00:01:06,580 --> 00:01:10,220 Dramatize changes all character paragraphs as well as the mentions 18 00:01:10,220 --> 00:01:14,020 in action and dialogue. Check beforehand whether there are similarly 19 00:01:14,020 --> 00:01:18,640 spelt characters; “SARA” and “SARAH” are two people to Federio 20 00:01:18,640 --> 00:01:24,200 Dramatize. Screenplay, then Dialogue Navigator lists all dialogue lines of 21 00:01:24,200 --> 00:01:28,240 the screenplay, filterable by character or search word. With it 22 00:01:28,240 --> 00:01:31,980 you read, for example, everything Elias says one after the 23 00:01:31,980 --> 00:01:35,440 other and hear whether his voice holds throughout. A click 24 00:01:35,440 --> 00:01:38,380 jumps to the line in the text. Sometimes you have 25 00:01:38,380 --> 00:01:40,440 two versions of a line and do not want to 26 00:01:40,440 --> 00:01:43,580 decide yet. Put the cursor in the dialogue and choose 27 00:01:43,580 --> 00:01:48,918 Screenplay, then Add Alternate Dialogue (Command or Control plus Alt 28 00:01:48,918 --> 00:01:52,160 plus L). The new version is stored as a variant; 29 00:01:52,160 --> 00:01:56,160 in the text only one ever appears. First write both 30 00:01:56,160 --> 00:01:59,800 characters one after the other with their dialogues, that is, 31 00:01:59,800 --> 00:02:04,540 character A, her dialogue, character B, his dialogue. Then put 32 00:02:04,540 --> 00:02:06,860 the cursor in the first of the two blocks and 33 00:02:06,860 --> 00:02:10,320 choose “Dual Dialogue” in the context menu or the format 34 00:02:10,320 --> 00:02:14,140 selector. Both blocks move side by side into two columns. 35 00:02:14,140 --> 00:02:18,780 The Dialogue Navigator can isolate one or two characters. It 36 00:02:18,780 --> 00:02:23,000 reports dialogue and word counts plus frequent words, revealing uneven 37 00:02:23,000 --> 00:02:26,580 speaking shares and repeated language. Try these tools on a 38 00:02:26,580 --> 00:02:29,820 copy of your screenplay. Keep what helps your writing, and 39 00:02:29,820 --> 00:02:32,040 return to the guide whenever you need the details.