1 00:00:00,000 --> 00:00:04,720 A rewrite should open possibilities, not erase your past. Keep 2 00:00:04,720 --> 00:00:09,740 named drafts and compare what changed. Choose File, then Save 3 00:00:09,740 --> 00:00:14,280 Named Draft (Command or Control plus Alt plus S) and 4 00:00:14,280 --> 00:00:18,000 give the state a name, say “Draft 2 before notes” 5 00:00:18,000 --> 00:00:22,620 or “State producer meeting”. Federio Dramatize stores a copy of 6 00:00:22,620 --> 00:00:25,960 the entire text in the project. Your text stays as 7 00:00:25,960 --> 00:00:30,860 it is; you simply keep writing. File, then Manage Drafts 8 00:00:30,860 --> 00:00:35,240 lists all saved states with date. “Restore” replaces the current 9 00:00:35,240 --> 00:00:39,460 text with the chosen draft; “Delete Draft” removes it. The 10 00:00:39,460 --> 00:00:41,940 current state appears in the list as well, so you 11 00:00:41,940 --> 00:00:45,224 can compare it with a draft. The tool “Compare Drafts” 12 00:00:45,224 --> 00:00:50,420 (command search, palette or Production, then Revision Comparison) lays two 13 00:00:50,420 --> 00:00:54,300 states side by side: two drafts, or a draft and 14 00:00:54,300 --> 00:00:58,900 the current text. Federio Dramatize shows paragraph by paragraph what 15 00:00:58,900 --> 00:01:02,340 was added, changed or cut, and marks the changed words 16 00:01:02,340 --> 00:01:05,960 within a paragraph. You can accept or reject each change 17 00:01:05,960 --> 00:01:10,520 individually; “Accept All and Finish” and “Reject All and Finish” 18 00:01:10,520 --> 00:01:14,740 do it in one go. Production, then Change Tracking switches 19 00:01:14,740 --> 00:01:18,520 on a mode in which Federio Dramatize continuously records every 20 00:01:18,520 --> 00:01:22,060 text and paragraph change against a starting state, much like 21 00:01:22,060 --> 00:01:26,180 “Track Changes” in a word processor. New words, deleted words 22 00:01:26,180 --> 00:01:28,880 and moved paragraphs appear in a list from which you 23 00:01:28,880 --> 00:01:32,500 can accept or reject them individually or all at once. 24 00:01:32,500 --> 00:01:35,840 This suits working with an editor: you see exactly what 25 00:01:35,840 --> 00:01:38,940 the other person touched. Try these tools on a copy 26 00:01:38,940 --> 00:01:42,140 of your screenplay. Keep what helps your writing, and return 27 00:01:42,140 --> 00:01:44,080 to the guide whenever you need the details.