1 00:00:00,000 --> 00:00:03,900 Presentation is part of the reading experience. Prepare a title 2 00:00:03,900 --> 00:00:09,000 page and a clean, consistent screenplay layout. Edit, then Page 3 00:00:09,000 --> 00:00:12,980 Settings or Screenplay, then Edit Title Page open the same 4 00:00:12,980 --> 00:00:17,420 window. At the top are title, author and contact for 5 00:00:17,420 --> 00:00:21,000 the title page; below them the break rules, the header 6 00:00:21,000 --> 00:00:24,800 and footer, the screenplay language, the autosave pause for this 7 00:00:24,800 --> 00:00:29,240 project and the paper size. “Apply” applies everything to the 8 00:00:29,240 --> 00:00:34,800 screenplay; the text itself stays unchanged. Federio Dramatize generates the 9 00:00:34,800 --> 00:00:38,840 title page from title, author and contact. It appears as 10 00:00:38,840 --> 00:00:42,100 the first page in page view, in the PDF and 11 00:00:42,100 --> 00:00:46,160 in FDX files. The contact field may have several lines, 12 00:00:46,160 --> 00:00:50,920 say name, agency and e-mail one below the other. Both 13 00:00:50,920 --> 00:00:54,900 sizes are screenplay standards. US Letter is a little shorter 14 00:00:54,900 --> 00:00:58,140 and wider than A4, so one more line fits on 15 00:00:58,140 --> 00:01:01,680 an A4 sheet. A screenplay of 100 pages on Letter 16 00:01:01,680 --> 00:01:06,200 may have 97 pages on A4. Header and footer appear 17 00:01:06,200 --> 00:01:09,760 on every page at the top and bottom respectively. You 18 00:01:09,760 --> 00:01:12,560 can enter free text and insert fields with the buttons 19 00:01:12,560 --> 00:01:17,470 that Federio Dramatize fills in when printing: title, date, revision 20 00:01:17,470 --> 00:01:22,720 (name of the current revision), page (page number) and scene 21 00:01:22,720 --> 00:01:26,360 (number of the first scene on the page). Usual is 22 00:01:26,360 --> 00:01:28,560 an empty header and the page number at the top 23 00:01:28,560 --> 00:01:32,880 right; Federio Dramatize sets the page number anyway, the fields 24 00:01:32,880 --> 00:01:36,900 are for additions such as “Blue draft – 22 Sept 25 00:01:36,900 --> 00:01:42,980 2026”. Under “Page Breaks” are two boxes. “Continuation marks” writes 26 00:01:42,980 --> 00:01:44,860 a note at the end of a page and the 27 00:01:44,860 --> 00:01:47,340 start of the next when a scene runs across the 28 00:01:47,340 --> 00:01:50,960 page break (CONTINUED); you choose the language of the note 29 00:01:50,960 --> 00:01:54,440 next to it. “Every scene on a new page” starts 30 00:01:54,440 --> 00:01:57,300 every scene heading at the top of a fresh page, 31 00:01:57,300 --> 00:02:01,200 as some productions require for shooting drafts. In production the 32 00:02:01,200 --> 00:02:04,940 page count must no longer change: the camera shoots “page 33 00:02:04,940 --> 00:02:08,140 42” even if you insert three more lines on page 34 00:02:08,140 --> 00:02:11,460 10. That is what the page lock is for. In 35 00:02:11,460 --> 00:02:14,920 the Revisions tab of the sidebar every revision set carries 36 00:02:14,920 --> 00:02:19,020 a lock. The indents of the paragraph types (chapter 6) 37 00:02:19,020 --> 00:02:21,860 also belong to the page. They are set to the 38 00:02:21,860 --> 00:02:25,100 industry standard and stored in the project file. If a 39 00:02:25,100 --> 00:02:29,000 recipient requires other measurements, drag the triangles on the ruler; 40 00:02:29,000 --> 00:02:32,680 a double-click restores the standard. Try these tools on a 41 00:02:32,680 --> 00:02:36,020 copy of your screenplay. Keep what helps your writing, and 42 00:02:36,020 --> 00:02:38,280 return to the guide whenever you need the details.